The master painter Robert Angeloni Tapia Montenegro.    Born in 1968 in Latacunga.   Grew up with his little Guaytacama (Cotopaxi, Ecuador), which led to their childhood experiences as the people "caregiver leafless flower."    They embodied the Angelus of Millet, with his family until his senior year in high school chemistry.    And moved to Quito, to devote himself to painting:   in its five years of study at the Faculty of Arts at the Universidad Central del Ecuador he obtained the Bachelor of Visual Arts, specializing in different genres of painting, he continued his progress Spiritual to the culture of aesthetic experience, his artistic life and the daily also.   Every day, before painting your selected systematically studied art library.   Is immersed in the pages of his most precious books of harmonious composition, geometry and mathematics.   Consultation, in classic, chemical formulas medieval and Renaissance. His current residency is located in Quito. It is known as the painter of presidents of Ecuador.

... With mastery of perspective, science and art, you create pictures in their coordinates to balance the universe, the volumes, the complementary color makes each more color. And of course the psychological analysis that requires a good portrait.
By: Alfredo Palacio Gonzalez Ex-President of the Republic of Ecuador. Guayaquil, Sep. 2007

The still life is one of the fields of painting they have made things beautiful infatuation. And it has an illustrious history. Angeloni Tapia has been in the way of this kind, who is also a good portrait. He has chosen these everyday things and to build a table the has arranged with taste, studying the composition, has solved the background and painted-on-canvas lavishly cases on which they have ordered these things. And he has studied deeply the light, and chromatic contrasts and harmonies.
By: Hernán Rodríguez Castello.
Quito, August 2008
 

Each work of Tapia is a unit that creates the line between ranges: the proportion harmonic, the synthesis of symmetrical and asymmetrical shapes, pressing quadrantal, rhythmic additive properties and geometric, the sublime triangle, and the logarithmic spiral. What at first, might seem pure geometry, is invigorated plastic with touches of Tapia: fluid and fine lines, straight and curved, sinuous, oblique, and rhythm that bring life to the things he paints.
His paintings reflect Tapia Angeloni's reality before our eyes, but, immobilized by its pictorial image takes on a weight and a force that the movement of life often hidden from us: this is the wonder of the everyday. Tapia gives us the joy of discovery.
By: José Eduardo de la TORRE VERGARA
Quito, November 2001

Tapia Angeloni's painting is equipped with impressive solvency (which is detected only in who knows what it does), high technical refinement, and the resulting is transparent, not least comes from devices and other facilities normally used to fill the gap. Angeloni Tapia got into this art because it was aimed at this. Tapia is an exceptional portrait and landscape. Realism appears in both, but not "hyper" one for all, but as a reflection of reality or continuity of simple, natural and everyday.
By: Hernan Castillo
Ambato, February 2008